Review: Sigur Ros ‘Kveikur’ – Lights Off, Headphones On
Sigur Ros change the pace and become musical nomads on their excellent new release.
Review: Sigur Ros ‘Kveikur’ – Lights Off, Headphones OnSigur Ros change the pace and become musical nomads on their excellent new release.
Review: Jimmy Eat World Sharpen Their Pop Melancholy With ‘Damage’The latest release from Jimmy Eat World, produced by the incredible Alain Johannes, finds the rock outfit honing their greatest strengths.
Tech Squibs: Korg Technology Makes Your Big Music SmallerKorg makes plenty of keyboards, mixers, soundboards and other music tech. They’re latest gadgets take making music into the micro realm.
Album Review: ASG ‘Blood Drive’ASG make their case for headliner status with a hungry, ambitious album.
Review: Mouth Of The Architect Return With The Complexly Challenging ‘Dawning’A challenging and ultimately highly rewarding journey arrives from Mouth of The Architect.
Review: Deafheaven Embrace The Epic on ‘Sunbather’Deafheaven deliver such an intense spectrum of passion on ‘Sunbather’ that it’s impossible not to be either moved by it, impressed with it, or both.
Review: Dark Tranquility Embrace The Melodrama on ‘Construct’When a band two decades deep into their career want to change things up, we’d expect a lot more than what’s been done on Construct.
Review: Thirty Seconds To Mars Redefine Pretentiousness on ‘Love, Lust, Faith And Dreams’The pomposity of the new Thirty Seconds to Mars album is so grand, the amount of self-importance so epic, it slowly becomes entertaining.
Review: Scott Murphy & Rivers Cuomo’s ‘Scott & Rivers’ is End-To-End Pop FunOn ‘Scott & Rivers,’ Weezer’s Rivers Cuomo and Scott Murphy of Allister deliver a sugary ode to Japanese pop culture.
Review: Daft Punk ‘Random Access Memories’ Breaks EDM’s Cruise ControlTo the genre inspired so largely by Daft Punk, ‘RAM’ is an impossibly high new bar, a gauntlet thrown down to the play-button hand-waver DJs.
Album Review: Uncle Acid And The Deadbeats ‘Mind Control’‘Mind Control’ is a kick ass slice of druggy rock goodness from Uncle Acid And The Deadbeats.
Review: Vampire Weekend ‘Modern Vampires Of The City’Yacht rock has never been so brightly colored and catchy.
EXCLUSIVE: Review: Queens of The Stone Age ‘…Like Clockwork’Queens of The Stone Age return with ‘…Like Clockwork,’ a raw and complex masterpiece.
Album Review: Fall Out Boy ‘Save Rock and Roll’Put simply, the title to the new Fall Out Boy album could not be more misleading.
Review: Kylesa’s ‘Ultraviolet’ is a Full-Fledged Acid TripThe latest from Kylesa is a psychedelically engaging expansion of the third eye.
Review: Ghost Get Spooky on ‘Infestissumam’‘Infestissumam’ is about as scary as an episode of Scooby Doo, and just as entertaining. But we love Scooby Doo, so that’s a good thing.
Review: Iron and Wine Leap Forward With ‘Ghost on Ghost’‘Ghost On Ghost’ is both a stroll down memory lane and a giant step forward for the songwriting in Iron and Wine.
Review: Yeah Yeah Yeahs Turn a Corner on the Remarkable ‘Mosquito’If the band is still around in another ten years, people will look at ‘Mosquito’ as a turning point in the Yeah Yeah Yeahs’ career.
Review: The Ocean ‘Pelagial’The Ocean’s latest musical opus is a welcome fix for lovers of complex song structures – but where is the soul?
First Listen Review: Black Sabbath ’13′ Track By TrackAfter a first-listen preview experience, we bring you the run-down on Black Sabbath’s first album with Ozzy in 35 years!
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