Review: Thirty Seconds To Mars Redefine Pretentiousness on ‘Love, Lust, Faith And Dreams’
The pomposity of the new Thirty Seconds to Mars album is so grand, the amount of self-importance so epic, it slowly becomes entertaining.
Review: Thirty Seconds To Mars Redefine Pretentiousness on ‘Love, Lust, Faith And Dreams’The pomposity of the new Thirty Seconds to Mars album is so grand, the amount of self-importance so epic, it slowly becomes entertaining.
Review: Scott Murphy & Rivers Cuomo’s ‘Scott & Rivers’ is End-To-End Pop FunOn ‘Scott & Rivers,’ Weezer’s Rivers Cuomo and Scott Murphy of Allister deliver a sugary ode to Japanese pop culture.
Review: Daft Punk ‘Random Access Memories’ Breaks EDM’s Cruise ControlTo the genre inspired so largely by Daft Punk, ‘RAM’ is an impossibly high new bar, a gauntlet thrown down to the play-button hand-waver DJs.
Album Review: Uncle Acid And The Deadbeats ‘Mind Control’‘Mind Control’ is a kick ass slice of druggy rock goodness from Uncle Acid And The Deadbeats.
Review: Vampire Weekend ‘Modern Vampires Of The City’Yacht rock has never been so brightly colored and catchy.
EXCLUSIVE: Review: Queens of The Stone Age ‘…Like Clockwork’Queens of The Stone Age return with ‘…Like Clockwork,’ a raw and complex masterpiece.
Album Review: Fall Out Boy ‘Save Rock and Roll’Put simply, the title to the new Fall Out Boy album could not be more misleading.
Review: Kylesa’s ‘Ultraviolet’ is a Full-Fledged Acid TripThe latest from Kylesa is a psychedelically engaging expansion of the third eye.
Review: Ghost Get Spooky on ‘Infestissumam’‘Infestissumam’ is about as scary as an episode of Scooby Doo, and just as entertaining. But we love Scooby Doo, so that’s a good thing.
Review: Iron and Wine Leap Forward With ‘Ghost on Ghost’‘Ghost On Ghost’ is both a stroll down memory lane and a giant step forward for the songwriting in Iron and Wine.
Review: Yeah Yeah Yeahs Turn a Corner on the Remarkable ‘Mosquito’If the band is still around in another ten years, people will look at ‘Mosquito’ as a turning point in the Yeah Yeah Yeahs’ career.
Review: The Ocean ‘Pelagial’The Ocean’s latest musical opus is a welcome fix for lovers of complex song structures – but where is the soul?
First Listen Review: Black Sabbath ’13′ Track By TrackAfter a first-listen preview experience, we bring you the run-down on Black Sabbath’s first album with Ozzy in 35 years!
EP Triple Review: Zozobra, Enabler, Cough & WindhandThree EPs reviewed for the price of none!
Album Review: The Melvins ‘Everybody Loves Sausages’A near-perfect covers album that serves as a twisted love letter to the artists who inspire The Melvins.
Review: Casiotone For The Painfully Alone ‘In Cambridge’The latest offering from Casiotone For The Painfully Alone, ‘In Cambridge’ is a gift, and we should treat it as one.
Review: Six Feet Under Rise Up With ‘Unborn’Bucking standard death metal trends, Six Feet Under return with two new members and continue to rise above their genre peers.
Review: Low ‘The Invisible Way’With Wilco’s Jeff Tweedy at the knobs, Low deliver another excellent collection of sparse instrumentation & lush vocals.
Review: Depeche Mode Deliver The Drama With ‘Delta Machine’‘Delta Machine’ possesses a foreboding sense of drama the band hasn’t touched on since ‘Black Celebration’.
Review: David Bowie Reminds Us of His Greatness on ‘The Next Day’The Next Day is clear evidence that Bowie holds strong through the fickle ups and downs of scenes, trends and pop culture movements.
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