Taking a closer look at GBV’s 20-track collection of guitar-driven, rough-edged pop.
Has Mark Kozelek become the musical equivalent of Spalding Grey?
You are not prepared for the devastation at hand.
Beck Hansen returns with another downtempo stroke of genius.
Regurgitated riffs and gimmicks do not make for an impressive album.
If it ain’t broke, don’t fix it.
When all your songs are horse galloping epics of swinging swords and fists raised to the Gods in rebellion, it can get to be a bit much.
Where is the experimentation? Where is the evolution of sound?
‘Rooms With Walls And Windows’ is an album that demands your undivided attention.
A dark, post-apocalyptic, experimental Voltron has risen.
Mike Dillard returns to the drums as Dale Crover shifts to bass for a run of material fans will recognize from previous offerings.
Russian Circles return with their strongest offering yet, an evolutionary leap for the entirety of post-metal.
Brad Abraham weaves interconnected stories from an era before the digital age robbed us of the romance and mystery of music.
Helsinki’s post-apocalyptic sons deliver a stunning contender for best album of the year.
An evolutionary push finds Doomriders digging deeper into the darkness.
Pearl Jam returns with their strongest album in over a decade.
The bastard child of Black Sabbath and Black Flag has arrived.
Firmly rooted in hardcore, Concrete Cross’ relentless speed and rage gives new hope to the genre.
Evil metal cloaked in 80s darkness? We’re in.
After nine albums, Monster Magnet still bring the fire… but don’t have much left to say.